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In 1998, Charlie asked Toni Morrison about a question a journalist had once posed to her: "Can you imagine writing a novel not centered around race?" This is her amazing response.
Toni Morrison gives insight into her works “Paradise” and “The Bluest Eye,” criticizes sloppy criticism, and explains the challenge of writing about race for African-American writers.
Jadine Childs is a black fashion model with a white patron, a white boyfriend, and a coat made out of ninety perfect sealskins. Son is a black fugitive who embodies everything she loathes and desires.
In this wide-ranging collection of thought-provoking interviews—including her first and last—Toni Morrison (whom President Barrack Obama called a “national treasure”) details not only her writing life, but also her other careers as a teacher, and as a publisher, as well as the gripping story of...
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This inspirational book juxtaposes quotations, one to a page, drawn from Toni Morrison's entire body of work, both fiction and nonfiction--from The Bluest Eye to God Help the Child, from Playing in the Dark to The Source of Self-Regard--to tell a story of self-actualization.
America’s foremost novelist reflects on the themes that preoccupy her work and increasingly dominate national and world politics: race, fear, borders, the mass movement of peoples, the desire for belonging.
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Pulitzer Prize–winning novelist Toni Morrison brings the genius of a master writer to this personal inquiry into the significance of African-Americans in the American literary imagination.
From the acclaimed Nobel Prize winner: an unflinchingly look into the abyss of slavery. This spellbinding novel transforms history into a story as powerful as Exodus and as intimate as a lullaby.
In Morrison’s bestselling first novel, Pecola Breedlove—an 11-year-old Black girl in an America whose love for its blond, blue-eyed children can devastate all others—prays for her eyes to turn blue: so that she will be beautiful, so that people will look at her, so that her world will be different.
“They shoot the white girl first. With the rest they can take their time.” So begins Toni Morrison’s Paradise, which opens with a horrifying scene of mass violence and chronicles its genesis in an all-black small town in rural Oklahoma.
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