Let us celebrate being alive, having a place in the grand scheme of things, feeling connected to the earth and all its inhabitants.
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CLEAR ALL
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This poetry collection celebrates the impossible truths of the natural world and the magic that hides in plain sight. Poet and podcaster Jarod K.
“IT’S SUCH A SLOW JOY,” says poet Jane Hirshfield, about the work of revising a poem. We’ve just left the trailhead for a hike on what she calls the “hem” of Mount Tamalpais.
Jane Hirshfield says environmental concerns began creeping into her poetry as early as her 1988 collection “Of Gravity & Angels,” when she was composing “poems of shared-fate awareness, and poems of the relationship of the biological and human worlds which don’t put human well-being above...
“…and when two people have loved each other see how it is like a scar between their bodies, stronger, darker, and proud…”
In verse called "radiant and passionate" by the New York Times, Jane Hirshfield's four collections of poetry articulate the interconnection of human and natural worlds. Tune in for this reading before an audience at UC Santa Barbara.
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The Beauty opens with a series of dappled, ranging “My” poems—“My Skeleton,” “My Corkboard,” “My Species,” “My Weather”—in which Hirshfield uses materials both familiar and unexpected to explore the magnitude, singularity, and permeability of our shared existence.
A Gate Enables passage between what is inside and what is outside, and the connection poetry forges between inner and outer lives is the fundamental theme of these nine essays.
Ledger's pages hold the most important work yet by Jane Hirshfield, one of our most celebrated contemporary poets. From the already much-quoted opening lines of despair and defiance ("Let them not say: we did not see it.
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