In this poem, Mark Nepo reflects on experiencing wholeness through allowing things to break.
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CLEAR ALL
A reading of poetry for "How To Cure A Ghost," Fariha Róisín will also provide directives and questions on How and Why do we heal?
“IT’S SUCH A SLOW JOY,” says poet Jane Hirshfield, about the work of revising a poem. We’ve just left the trailhead for a hike on what she calls the “hem” of Mount Tamalpais.
Jane Hirshfield says environmental concerns began creeping into her poetry as early as her 1988 collection “Of Gravity & Angels,” when she was composing “poems of shared-fate awareness, and poems of the relationship of the biological and human worlds which don’t put human well-being above...
Writer Kim Rosen raises questions about Zen, openness, and the “desperation” of the creative process.
In this edition of "The Writing Life," poet Michael Collier speaks with poet, essayist and translator Jane Hirshfield about her work and the necessity of poetry in the world. Ms. Hirshfield begins by reading "The Poet," which she often uses as an opening poem in her readings.
The Beauty opens with a series of dappled, ranging “My” poems—“My Skeleton,” “My Corkboard,” “My Species,” “My Weather”—in which Hirshfield uses materials both familiar and unexpected to explore the magnitude, singularity, and permeability of our shared existence.
This groundbreaking anthology presents the spiritual life of women throughout history as recorded in their poems, prayers, and songs.
A Gate Enables passage between what is inside and what is outside, and the connection poetry forges between inner and outer lives is the fundamental theme of these nine essays.
"Poetry," Jane Hirshfield has said, "is language that foments revolutions of being.
Ledger's pages hold the most important work yet by Jane Hirshfield, one of our most celebrated contemporary poets. From the already much-quoted opening lines of despair and defiance ("Let them not say: we did not see it.