This poem by Mark Nepo celebrates the abundance of imperfection.
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CLEAR ALL
“IT’S SUCH A SLOW JOY,” says poet Jane Hirshfield, about the work of revising a poem. We’ve just left the trailhead for a hike on what she calls the “hem” of Mount Tamalpais.
Jane Hirshfield says environmental concerns began creeping into her poetry as early as her 1988 collection “Of Gravity & Angels,” when she was composing “poems of shared-fate awareness, and poems of the relationship of the biological and human worlds which don’t put human well-being above...
Writer Kim Rosen raises questions about Zen, openness, and the “desperation” of the creative process.
“…and when two people have loved each other see how it is like a scar between their bodies, stronger, darker, and proud…”
In verse called "radiant and passionate" by the New York Times, Jane Hirshfield's four collections of poetry articulate the interconnection of human and natural worlds. Tune in for this reading before an audience at UC Santa Barbara.
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Full lecture title: "A Branch of Yellow Leaves: Buddhism, the World and Poetry"
In this edition of "The Writing Life," poet Michael Collier speaks with poet, essayist and translator Jane Hirshfield about her work and the necessity of poetry in the world. Ms. Hirshfield begins by reading "The Poet," which she often uses as an opening poem in her readings.
At the 2015 National Book Festival in Washington D.C., Academy Chancellor Jane Hirshfield joined us for a conversation about poetry and the poet's role in American culture today.
In this luminous and authoritative collection, Jane Hirshfield presents an ever-deepening and altering comprehension of human existence in poems utterly unique, as William Matthews once wrote of her work, in their “praise of ceaseless mutability as life’s central splendor.
These translated poems were written by 2 ladies of the Heian court of Japan between the ninth and eleventh centuries A.D. The poems speak intimately of their authors' sexual longing, fulfillment and disillusionment.