By David Whyte — 1990
This is David Whyte’s second book of poetry, now in its 6th printing.
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CLEAR ALL
A glorious fifteen-line celebration of “the bond of live things everywhere.”
Poetry is not only dream and vision; it is the skeleton architecture of our lives. It lays the foundation for a future of change, a bridge across our fears of what has never been before.
Poetry is not a luxury. It is a vital necessity of our existence. It forms the quality of the light within which we predicate our hopes and dreams toward survival and change, first made into language, then into an idea, then into more tangible action.
A reading of poetry for "How To Cure A Ghost," Fariha Róisín will also provide directives and questions on How and Why do we heal?
“If you turn your back to the blues and deny your dependence on them,” Ellen Meloy wrote in her timeless meditation on water as a portal to transcendence, “you might lose your place in the world, your actions would become small, your soul disengaged.”
“IT’S SUCH A SLOW JOY,” says poet Jane Hirshfield, about the work of revising a poem. We’ve just left the trailhead for a hike on what she calls the “hem” of Mount Tamalpais.
Jane Hirshfield says environmental concerns began creeping into her poetry as early as her 1988 collection “Of Gravity & Angels,” when she was composing “poems of shared-fate awareness, and poems of the relationship of the biological and human worlds which don’t put human well-being above...
Writer Kim Rosen raises questions about Zen, openness, and the “desperation” of the creative process.
“…and when two people have loved each other see how it is like a scar between their bodies, stronger, darker, and proud…”
In verse called "radiant and passionate" by the New York Times, Jane Hirshfield's four collections of poetry articulate the interconnection of human and natural worlds. Tune in for this reading before an audience at UC Santa Barbara.
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