By Resmaa Menakem — 2020
Resmaaa connects the healing of your body, mind, and soul with the healing of our country and our world.
Read on www.psychologytoday.com
CLEAR ALL
The past as a building block of a more affirming and hopeful future As early as the eighteenth century, white Americans and Europeans believed that people of African descent could not experience nostalgia.
In this tender and expansive reckoning with the meaning of the Black Church in America, Henry Louis Gates, Jr. takes us on a journey spanning more than five centuries.
Dancer and communicator Diana Ocholla describes the process behind "Rise", a performance honoring and making space for women and responding to gender-based violence in South Africa. The performance was held in 2019 in Muizenberg in Cape Town, South Africa as a part of Project Ripple.
Poetry and conversations inspired by land based activism and media creation, from Mauna Kea, Turtle Island, and Micronesia. Indigenous filmmakers, poets, and activists address healing from colonization through various forms of cultural practice.
A short documentary discussing how art forms within activism can dismantle hate and create changes in the society we live in.
The indigenous existence in Western and American culture is narrowly viewed and accepted with little to no input from actual Indigenous people.
In this Her Stories interview with Korina Emmerich, the designer and activist describes her experience growing up as a Native person in a white society. She shares how she came to love fashion, deciding at an early age that she was going to be an artist who used fashion as her medium.
Mitcholos Touchie, or A Mind With Wings, is a Yuułuʔiłʔatḥ/ Nuučaan̓uɫ artist from a small village on the West Coast of Vancouver Island. He joined us for our Spoken Word residency in 2017. While here, he performed one of his pieces that explores the nature of the word “Indian.
High-profile Minnesota dairy brand Land O’Lakes made national headlines in April 2020 (not easy to do during a pandemic) when it quietly removed the focal point of its logo since 1928: a kneeling Native American woman known as Mia.
Raul Baltazar uses sculpture, video, and performance art to bridge indigenous and Western cultures. As a fine artist and a mentor to incarcerated youth, Baltazar brings his art into public spaces to open up new perspectives.