By Chelsey Luger — 2017
A cannabis company believes the pot industry could save tribal nations from poverty. But many argue it would only make a drug problem worse.
Read on www.theatlantic.com
CLEAR ALL
In this significant collection, Indigenous writers and writers of color bear witness to one of the most unsettling years in the history of the United States.
In this passionate talk, Albert Wiggan calls for better recognition from the scientific community arguing that Indigenous knowledge is science and that's what we should call it.
In this Her Stories interview with Korina Emmerich, the designer and activist describes her experience growing up as a Native person in a white society. She shares how she came to love fashion, deciding at an early age that she was going to be an artist who used fashion as her medium.
Raul Baltazar uses sculpture, video, and performance art to bridge indigenous and Western cultures. As a fine artist and a mentor to incarcerated youth, Baltazar brings his art into public spaces to open up new perspectives.
Zachariah George is a twenty-five-year-old Native American living in the rural outcrop of White Rock, New Mexico. Going by the moniker Mr.
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Geo Neptune explores the history of the term “Two-Spirit” and who it pertains to. Does it mean two genders? Can anyone use it to describe themselves? InQueery is the series that takes a deeper look at the meaning, context, and history of LGBTQ+ vocabulary and culture.
"This is a good place for your work. Depression is a big problem here. About 70-80% of our people are depressed.
Migrating the Black Body explores how visual media―from painting to photography, from global independent cinema to Hollywood movies, from posters and broadsides to digital media, from public art to graphic novels―has shaped diasporic imaginings of the individual and collective self.
Being an African-American growing up in a white neighborhood can be challenging. Trying to keep your identity yet navigate in a different place. It can be a challenging balance to try to adapt to different cultures, styles, and communities.
After founding the Chicago Multi-Cultural Dance Center in 1981, Homer Bryant realized that by blending rap and ballet he might be able to get kids interested in dance, and thus Hiplet was born.